The French tend to take the term nouveau roman literally. There are, for example, people in England right now who can bring themselves to Proustian tears at the memory of the Spice Girls or MiniDiscs or phone boxes-it doesn’t take much-and this must all have an effect on our literary culture. Why is that? Sometimes I think it’s because our nostalgia loop is so small-so tight. Throughout all this equivocation, I kept clinging to the one piece of data about which I felt certain: any writer who lives in England for any length of time will sooner or later find herself writing a historical novel, whether she wants to or not. (The Irish always being an exceptional case.) What about French writers? Caribbean writers? African writers? Here the data seemed less conclusive. Didn’t they all write about home while living many miles away from it? Then the doubt would creep back in again. Take Irish writers-we’d say to ourselves-take Beckett and Joyce. Sometimes, to make ourselves feel better, we’d make the opposite case. After all, a writer can be deracinated to death. . . . Still, periodically, we would give in to fits of regret and nostalgia, two writers worrying away at the idea that they had travelled too far from the source of their writings. Lots of factors kept us abroad, not least of which the complication of a child, and the roots she swiftly put down. Like many expats, we thought about returning. No, I was not yet-in Samuel Johnson’s famous formulation-“tired of life.” But I was definitely weary of London’s claustrophobic literary world, or at least the role I had been assigned within it: multicultural (aging) wunderkind. I would not say I was entirely tired of London. My ties to England seemed to be evaporating. I myself had married an Irish poet who liked travel and adventure and had left the island of his birth at the age of eighteen. My Jamaican mother was pursuing a romance in Ghana. And there were other, more obvious reasons.
Perhaps it was an in-joke: only other English novelists really understood what I meant by it. When friends asked why I’d left the country, I’d sometimes answer with a joke: Because I don’t want to write a historical novel. First for Rome, then Boston, and then my beloved New York, where I stayed ten years. Then suddenly, quite abruptly, I left not just the city but England itself. I soon returned to my little corner of North West London. It’s true I went to college-I even moved to East London for a bit-but such interludes were brief.
#William smith actor grave movie#
The last film pitted Smith against Clint Eastwood in a climatic fist fight-one of the longest in movie history. Some of his most famous roles were in the television miniseries Rich Man, Poor Man and the films Red Dawn, Conan the Barbarian, and Any Which Way You Can. During his lengthy career, William Smith amassed over 270 film and television credits. You can read some of his poems at his web site by clicking here.ħ. In 2009, Smith published The Poetic Works of William Smith. The 6' 2" Smith is also well-known for his athletic endeavors as a bodybuilder, amateur boxer, discus thrower, martial artist, and skier.Ħ. He later taught Russian language studies at the university.ĥ. He graduated cum laude with a Master's degree from UCLA. & Company (1970) because he enjoyed working with Joe Namath and Ann-Margret.Ĥ. His favorite biker pic may have been C.C.
#William smith actor grave series#
In the memorably-titled Chrome and Hot Leather, he appeared alongside his Laredo TV series co-star Peter Brown.and soul singer Marvin Gaye. Smith appeared in eleven (!) biker films. It's the best fight scene I ever worked on."ģ.
In Tales from the Cult Film Trenches, Smith said: "Rod Taylor is a tough guy. Taylor broke three of Smith's ribs and Smith broke Taylor's nose. His fight scene with Rod Taylor in Darker Than Amber (1970) is justly famous for its realism. William Smith began his acting career as a child appearing in films such as The Ghost of Frankenstein (1940), Song of Bernadette (1943), and A Tree Grows in Brooklyn (1945).Ģ. That inspired us to do some more research on one of the most intriguing actors of his era. A few months ago, we reviewed the LaredoTV series and were surprised by the number of William Smith comments.
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